AAPI (Asian Americans and Pacific Islanders) Resources

How activists and minority communities use media to facilitate social change and achieve cultural citizenship. Among the most well-known YouTubers are a cadre of talented Asian American performers, including comedian Ryan Higa and makeup artist Michelle Phan. Yet beneath the sheen of these online success stories lies a problem--Asian Americans remain sorely underrepresented in mainstream film and television. When they do appear on screen, they are often relegated to demeaning stereotypes such as the comical foreigner, the sexy girlfriend, or the martial arts villain. The story that remains untold is that as long as these inequities have existed, Asian Americans have been fighting back--joining together to protest offensive imagery, support Asian American actors and industry workers, and make their voices heard. Providing a cultural history and ethnography, Asian American Media Activism assesses everything from grassroots collectives in the 1970s up to contemporary engagements by fan groups, advertising agencies, and users on YouTube and Twitter. In linking these different forms of activism, Lori Kido Lopez investigates how Asian American media activism takes place and evaluates what kinds of interventions are most effective. Ultimately, Lopez finds that activists must be understood as fighting for cultural citizenship, a deeper sense of belonging and acceptance within a nation that has long rejected them.

While a growing number of popular and scholarly works focus on Asian Americans, most are devoted to the experiences of larger groups such as Chinese, Japanese, Korean, Filipino, and Indian Americans. As the field grows, there is a pressing need to understand the smaller and more recent immigrant communities. Emerging Voices fills this gap with its unique and compelling discussion of underrepresented groups, including Burmese, Indonesian, Mong, Hmong, Nepalese, Romani, Tibetan, and Thai Americans.

A revelatory compendium of writings, art and ephemera on the '90s New York collective that fostered a social space for diasporic Asian artists A New York Times critics' pick Best Art Books 2021 This anthology gathers writings, documentation and ephemera from Godzilla: Asian American Arts Network, a collective based in New York from 1990 to 2001, which was formed to provide a support structure for Asian American artists, writers and curators to stimulate visibility and critical discourse for their work.

Today, South Asians are a rapidly growing demographic in the United States, comprising nearly 2 percent of the population. But there was a time in the not-too-distant past when the United States was far less hospitable to South Asian immigrants. In fact, until 1952, only white immigrants could become naturalized American citizens. Yet in the first half of the twentieth century, many states still had thriving communities of South Asians.    In Here to Stay, Geetika Rudra, a second-generation Indian immigrant and American history buff, takes readers on a journey across the country to unearth the little-known histories of earlier generations of South Asian Americans. She visits storied sites such as Oregon's "Hindoo Alley," home to many lumber workers at the turn of the century, and Angel Island, California's immigration hub. She also introduces readers to such inspiring figures as Bhagat Singh Thind, an immigrant who had enlisted in the U.S. Army to serve his adopted country in World War I, but who was later denied citizenship and took his case all the way to the U.S. Supreme Court. In turns both serious and joyful, this book vividly reveals how South Asians have always been a vital part of the American tapestry.

A Library Journal Best Reference Book of 2022 This book represents the culmination of over 150 years of literary achievement by the most diverse ethnic group in the United States. Diverse because this group of ethnic Americans includes those whose ancestral roots branch out to East Asia, Southeast Asia, South Asia, and Western Asia. Even within each of these regions, there exist vast differences in languages, cultures, religions, political systems, and colonial histories.

In his most challenging work to date, journalist and author Tom Coffman offers readers a new and much-needed political narrative of twentieth-century Hawaii. The Island Edge of America reinterprets the major events leading up to and following statehood in 1959: U.S. annexation of the Hawaiian kingdom, the wartime crisis of the Japanese-American community, postwar labor organization, the Cold War, the development of Hawaii's legendary Democratic Party, the rise of native Hawaiian nationalism.

The definitive history of Asian Americans by one of the nation's preeminent scholars on the subject. In the past fifty years, Asian Americans have helped change the face of America and are now the fastest growing group in the United States. But as award-winning historian Erika Lee reminds us, Asian Americans also have deep roots in the country.

Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative--and its relentless and riveting pursuit of vital questions around family and friendship, art and politics, identity and individuality, will change the way you think about our world. Binding these essays together is Hong's theory of "minor feelings."

In the first book to account for the growing prominence of Asians in the world of Western classical music, Mari Yoshihara grapples with the significance of this trend. This is a book about the about the origins of a social and cultural phenomenon, but it is also about the lives and work of individual musicians devoted to their art.

An innovative anthology showcasing Asian American and Pacific Islander women?s histories Our Voices, Our Histories brings together thirty-five Asian American and Pacific Islander authors in a single volume to explore the historical experiences, perspectives, and actions of Asian American and Pacific Islander women in the United States and beyond.

Southeast Asian Diaspora in the United States: Memories and Visions, Yesterday, Today, and Tomorrow provides various exploratory interpretations on Southeast Asian American subjectivities, communities, histories, creativities, and cultural expressions, as they are revealed, informed, or infused with visions, dreams, and or memories of self in relation to others, places, time, and events - historically significant or quotidian. The interaction and interplay of visions, memories, and subjectivity.

Yellow Peril! is the first comprehensive repository of anti-Asian images and writing, pop culture artifacts and political polemic.

American by Birth explores the history and legacy of Wong Kim Ark and the 1898 Supreme Court case that bears his name, which established the automatic citizenship of individuals born within the geographic boundaries of the United States. In the late nineteenth century, much like the present, the United States was a difficult, and at times threatening, environment for people of color. Chinese immigrants, invited into the United States in the 1850s and 1860s as laborers and merchants, faced a wave of hostility that played out in organized private violence, discriminatory state laws, and increasing congressional efforts to throttle immigration and remove many long-term residents.

A deeply personal novel about race, pop culture, immigration, assimilation, and escaping the roles we are forced to play.

When gold rush fever gripped the globe in 1849, thousands of Chinese immigrants came through San Francisco seeking fortune. InThe Poker Bride, Christopher Corbett uses a little-known Idaho legend as a lens into this Chinese experience.

On September 15, 1924, Martha Lum and her older sister Berda were barred from attending middle school in Rosedale, Mississippi. The girls were Chinese American and considered by the school to be "colored"; the school was for whites. This event would lead to the first US Supreme Court case to challenge the constitutionality of racial segregation in Southern public schools, an astonishing thirty years before the landmark Brown v. Board of Education decision.

In American Tropics, Allan Punzalan Isaac explores American fantasies about the Philippines and other unincorporateda parts of the US nation that obscure the contradictions of a democratic country possessing colonies. Isaac examines the American empires images of the Philippines in Hollywood films such as Blue Hawaii and novels such as Carlos Bulosan's America Is in the Heart and Jessica Hagedorn's Dogeaters."

My name is Jose Antonio Vargas. I was born in the Philippines. When I was twelve, my mother sent me to the United States to live with her parents. While applying for a driver's permit, I found out my papers were fake. More than two decades later, I am still here illegally, with no clear path to American citizenship.

Tsov tom, or tiger bite--an insult in Hmong culture--means you were stupid enough to approach a tiger and get bitten. In this remarkable new book, Hmong American women reclaim that phrase, showing in prose and poetry that they are strong enough and brave enough to stare down the tiger. Contributors celebrate the power of bonds between daughter and mother, sister and sister, and grandmother and granddaughter. Only after climbing a mountain in Nepal can Kia M. Lor finally understand her mother's life. Pa Xiong provides a recipe for squirrel stew, remembering in telling detail the gender roles that mark each step--and how her mother broke those rules.

This study documents Hmong's involvement in the Secret War in Laos, their refugee exodus from Laos to the refugee camps in Thailand, and the challenges to find third countries to take Hmong refugees. At the time, Hmong and other highlander refugees from Laos were considered unsuitable to be resettled into the United States. He provides detailed research on the adaptation of Hmong Americans to their new lives in the United States, facing discrimination and prejudice, and the advancement of Hmong Americans over the past 40 years. He presents the Hmong American community as an uprooted refugee community that grew from a small population in 1975 to more than 300,000 by the year 2015; spreading to all 50 states while becoming a diverse and complex American ethnic community.

Afterland is a powerful, essential collection of poetry that recounts with devastating detail the Hmong exodus from Laos and the fate of thousands of refugees seeking asylum. Mai Der Vang is telling the story of her own family, and by doing so, she also provides an essential history of the Hmong culture's ongoing resilience in exile. Many of these poems are written in the voices of those fleeing unbearable violence after U.S. forces recruited Hmong fighters in Laos in the Secret War against communism, only to abandon them after that war went awry. That history is little known or understood, but the three hundred thousand Hmong now living in the United States are living proof of its aftermath. With poems of extraordinary force and grace, Afterland holds an original place in American poetry and lands with a sense of humanity saved, of outrage, of a deep tradition broken by war and ocean but still intact, remembered, and lived.

Relayed with warmth and compassion, this is the first in-depth study of Korean military brides, and is a groundbreaking contribution to Asian American, women's, and "new" immigrant studies, while also providing a unique approach to military history.

A "provocative and sweeping" (Time) blend of family history and original reportage that explores--and reimagines--Asian American identity in a Black and white world." [Kang's] exploration of class and identity among Asian Americans will be talked about for years to come."

Kim argues that educational and occupational success for groups in the racial middle such as Korean and Asian Americans does not necessarily translate into further integration in other sectors of American society. Educational and professional accomplishments, while accelerating integration and acceptance, can be accompanied by exclusion in other sectors of society. Thus, Korean and Asian Americans may experience rapid intergenerational upward mobility and integration, but still be subject racialization and exclusion. This challenges the assimilation paradigm that immigrants and their children will assimilate and continue to achieve full integration and acceptance in the mainstream society.

Between Two Empires probes the complexities of prewar Japanese America to show how Japanese in America held an in-between space between the United States and the empire of Japan, between American nationality and Japanese racial identity.

This book provides an authoritative account of the internment of more than 120,000 Japanese-Americans and Japanese aliens during World War II.

An iconic figure of the Asian American movement, Richard Aoki (1938-2009) was also, as the most prominent non-Black member of the Black Panther Party, a key architect of Afro-Asian solidarity in the 1960s and '70s. His life story exposes the personal side of political activism as it illuminates the history of ethnic nationalism and radical internationalism in America.

In 1942 more than 109,000 Japanese Americans, including 70,000 U.S. citizens, were picked up and sent to incarceration centers, most for the duration of the war. It was the shame of America-- and it was documented on film. Cahan and Williams provide a visual history which includes interviews with many of the people reflecting on their experiences.

Vietnamese refugees fleeing the fall of South Vietnam faced a paradox. The same guilt-ridden America that only reluctantly accepted them expected, and rewarded, expressions of gratitude for their rescue. Meanwhile, their status as refugees "as opposed to willing immigrants "profoundly influenced their cultural identity.

A superb new graphic memoir in which an inspired artist/storyteller reveals the road that brought his family to where they are today- Vietnamerica. The book is a visually stunning portrait of survival, escape, and reinvention-and of the gift of the American immigrants' dream, passed on to their children.

With a comparative and race-cognizant approach, Karin Aguilar-San Juan shows how places like Little Saigon and Fields Corner are sites for the simultaneous preservation and redefinition of Vietnamese identity. Intervening in debates about race, ethnicity, multiculturalism, and suburbanization as a form of assimilation, she elaborates on the significance of place as an integral element of community building and its role in defining Vietnamese American-ness.